Many people, uttering the word “America”, immediately think of hamburgers, girls in swimsuits the color of the flag, who picturesquely drink Coca-Cola from designer glass bottles, and of course – the movies of Tarantino. Quentin didn’t just become one of America’s favorite directors, he created his own iconic style. Most of you have seen, or at least heard of. This top director’s work will help you in adding to your playlist of the best movies.
The story of Quentin Tarantino
Quentin’s mother, while carrying a child under her heart, was in a frenzy with William Faulkner, in one of whose novels there was a heroine named Quentin. She decided that it didn’t matter if a son was born, or a daughter she would name him just that. And so it turned out: the boy who got that strange name, won 37 awards, and was nominated for another 47. His life was not easy, and as he himself later noted: “I gave up too many things in life in order to make movies. I have no wife, no children. I made these sacrifices with a clear goal in mind. And I’m happy.”.
Tarantino still writes all scripts by hand, using only black and red pens to underline storyboards and dialogue, so before he starts writing a script, he worries about having enough writing utensils so he doesn’t have to buy them later. He also still uses the «Bad Motherfucker’ purse his character had in Pulp Fiction, believing it to be his personal talisman. Quentin is also very fond of his mother, film effects, spaghetti westerns, surprise endings, cartoonish violence, comic books, cowboy charm and racism.
Some may throw a stone at Quentin, saying that his films are absurd, the concentration of swearing per square centimeter exceeds the limits of the average listener. Mr. Tarantino constructs the altercations between the characters in such a way that every phrase in them can put his opponent on his back, and the dialogues between the characters convey the details of relationships without too much metaphor and imbued with an atmosphere reminiscent of a Friday night in a small bar, where a company of men gather together to simply discuss what happened during the week without officiating, and with a bold word. This man knows exactly how to make movies about tough guys who know how to kick ass, besides adorning it with great music. Ennio Morricone, the White Stripes and Iggy Pop, Roy Orbison (with whom even David Gilmore of The Pink Floyd didn’t shy away from recording a single of his own in his time)!) – These aren’t all the mastodons of lampoon tracks that can be heard in the famed director’s films.
There are three things that make «Tarantino’s handwriting recognizable in his films: trunk shots (sort of a trademark signature), cameo roles of his own (specifically, Quentin likes to play in his films some nervous neurotic, who in 7 out of 10 cases will be killed before the end), and he loves beautiful legs. Tarantino is a foot fetishist, and as you can see in his works he likes to shoot delicate women’s feet and focus on them. Don’t look for words to say about this man: still, it’s his films that tell us more about the filmmaker.
7. Jackie Brown
Based on the novel Rum Punch by Elmore Leonard, the film has been nominated several times and won the Silver Bear for Best Actor.
As you watch it, you’re bound to wonder why Tarantino chose this novel for adaptation. The answer must be sought in the details of the novel itself: the main character, Jackie, works as a stewardess and helps smugglers smuggle cash to trade guns, alcohol, tobacco and explosives, and then steals some of the money, tempted by conversations with agents who try to get her to turn over smugglers. Just-explosive k-k-k combo just right for Tarantino’s style! Although it feels so much like the director was trying to be serious, subtly noticing the psychology of all the dialogue between people connected by a business that is not easy to get out of, as well as the liters of blood, murder, deception and theft.
Despite all the action, you’re somewhat languishing because over time you stop believing the characters, and somewhere inside a skepticism awakens. Samuel L. Jackson, unfortunately, still can’t pull off the whole movie with his looks and sarcasm alone. No matter how hard one tries to have time to analyze the previous plot twists, one still gets lost in what happens in «Jackie Brown». The movie is really serious but is not suitable for every viewer.
6. Inglorious bastards
The film has eight Oscar nominations, and only one for Best Supporting Actor; . By the way, the title of this movie is misspelled in English. Tarantino pointed out that the title should be written exactly as «Inglourious Basterds» although the correct spelling is «Inglorious bastards». Journalists questioned Tarantino and were on his doorstep with the question on their lips until he snapped and blurted out during a press conference that “bastards” sounded like “bastards,” which is how he named his film, giving it a place in the history of cinema to which the saying “as I say, so I write” applies in its entirety. But you shouldn’t be prejudiced: the film tells the non-trivial story of American Jewish resistance at the height of the German SS and a bit about the propaganda film-making of the time.
Tarantino cut and reworked the script mercilessly because he really wanted to write a war film to take military heroism at face value. Needless to say, this is another characteristic of the director: to start a film, write a script for a mini-series, cut it short, and then, in the event, plan the next film as a continuation of the previous one’s universe, and in the course of work, reshape it into a stand-alone.
Although the film tells us about the film industry of those times, about the structure of the SS and works in the genre of alternative history (there is a funny Hitler in this film, who was killed in the end), and the picture on the screen along with the lamplight soundtrack pleases our already cracked hearts, the story is perceived very poppily. A little girl’s escape from death, who then decides to become a bloody vigilante and take revenge on an entire regime that forced people to kill others, including her parents – I think most viewers are already sick of the mainstream and marshmallowy aftertaste of such stories. However, even such a thing, if spiced up with the trademark raisin of foot fetish and tense dialogues between “theirs” and “outsiders” about different things at the table, looks decent. However, despite the fact that the Nazis were punished and the work of the cameraman and set designers was flawless, you don’t want to rewatch the film a second time.
5. Kill Bill
It’s hard to believe that anyone hasn’t seen this original film yet. Yakuza, heavy-duty katanas by Hattori Hanzo, revenge for the deaths of parents, killer kids, coffin survival tips, eye gouging, post-coma rehab, and a “Bride” character who was invented specifically for Uma Thurman are already the kind of nuclear postmodern blast that’s sure to blow your mind like Chernobyl. Uma Thurman, like a white angel, swings the katana of justice, not holding back dejection to a life that has unexpectedly stripped her of all hope, of happiness. Tarantino has thought this film through, sprinkling it with details like a caring hostess with borscht and sour cream.
The film, like most of the director’s work, is intended for a wide audience, but it shows some of the values of the Japanese inside out. So The Shah in response to Japanese-American relations took place after all, and this film rattled off its originality and left a powerful mark on the culture. It’s a great movie to watch at a friendly party, or to lift your spirits, but to call it the best in the history of cinema or in Tarantino’s work just doesn’t cut it. Although it does make you want to watch it again sometimes.
4. Django Libre
What can I add: Tarantino is great even when he makes movies that deviate from his traditional style and, by putting something new on the board next to his formulaic techniques. That’s exactly what happened with the film “Django Libre,” where Quentin finally decided to finally satisfy his long-held desire to make a spaghetti western on his own. Really, it wouldn’t be Tarantino if there wasn’t racism, phenomenally violent fights and a sea of blood spurting like a hose.
It is very surprising that over time Tarantino began to pay special attention to the outfits, so Django appears before us in a striking lettuce coat and a blue caftan (inspired by Thomas Gainsborough’s The Boy in Blue). This film also features Leonardo DiCaprio, who at the time was still trying to win an Oscar with his acting, so the moment when DiCaprio breaks the glass on the table was completely unplanned, and the entire crew just froze in shock, and Leo, played the entire scene without even wrinkling from pain. Brunhilde and her privations, Dr. Schultz’s true experiences, and dialogues full of reflections on the nature of freedom and the injustice of the world touch. The director also decided to even indulge in a little bit of meme, and so his film ends with an epic explosion, with Django striding confidently and freely in the background.
Thanks to the fact that Quentin has already taught us that bad guys get what they deserve (as do the good guys), you gain confidence in what happens on screen and can’t help but appropriate something of Dr. Schultz’s charm, or Django’s valor, movies like this make you want to learn and Tarantino want to applaud.
3. Disgusting Eight
The great merit of this film, and of Tarantino in particular, is that in this case he clearly knew what to choose for his particular plot. This film begins with a simply gorgeous shot with all the rules of composition and coloration in the winter woods of Wyoming, where a prisoner is being taken in order to be executed. Finding themselves in the middle of a blizzard, the travelers have to stop at Mistress Minnie’s cabin, where a company of Confederates, Yankees, a sheriff, a Mexican, a thug and a cowboy begin their dialogues, and everyone has different goals. Everyone has to be clear about who is telling the truth and who is lying, though, and this is the tension of having your hunches fail within minutes, chaining you to the screen like a hypnotized. What a unique performance by Daisy the Runaway, who gets sprayed with blood and verbal filth every second, but she still keeps blowing her feminine eyes and looking sexy.
It is only worth warning that there is too much blood of the characters in this film, and sometimes this cruelty really touches some string in the soul. And remember, only with Tarantino you can always imagine the blood as cherry jam, or borscht – then the final scenes with the fountains of blood turn into a gastronomic adventure. In this film it is a pleasure to watch not only the picture in which the camerawork and framing have “matured”, but also the logic of each of the characters, who are played with love and skill. Quentin’s desire to make a product with a separate heart, to show it in all its glory, to rehabilitate the format of big-screen cinema, which today has begun to be noticed again. That’s why it’s impossible not to give third place to this film, which divided many critics into two camps: some screamed that Tarantino had strayed from his standards, while others said that on the contrary, Quentin showed that there were still hidden talents in Tarantino.
2. Pulp Fiction
A non-linear plot, a lot of drugs, Uma Thurman’s beautiful feet, a rock’n’roll twist in a cafe, resuscitation with a syringe (by the way, they actually took the syringe out of Uma’s chest, and then during editing they “turned” the scene backwards), psychopathy, Tarantino in a minor but prominent role, a confused Travolta, and many referrals in cowboy films. And all this under a title that means literature that is similar in quality to toilet paper in execution.
I’m sure most of you understand Tarantino as a tomboy who can put up fights, have long dialogues and change the plot abruptly. In “Pulp Fiction,” he talks about the everyday life of American gangsters, with all their pros and cons, and puts things in such a way that you begin to understand clearly: the labels we put on are far from always our objective assessment of an individual. Among the hundreds of epic catchphrases with which this film is full, it is worth considering this lightness and naturalness of the emotions of the characters, whom we first perceive as exclusively negative.
Top 10 Quentin Tarantino Movie Deaths
It is worth watching Pulp Fiction even because Uma Thurman, who is as tall as the Eiffel Tower and therefore wears size forty-one shoes, was very self-conscious about the shot of her dancing barefoot. Tarantino talked her into this shot for a very long time, convincing her that it would be very seductive and aesthetically pleasing. Everyone benefited: Uma overcame her complex about the fear of her feet, Tarantino clapped his hands with pleasure at the picture. Mickey Rourke and Kurt Cobain and his wife were also supposed to star in the film, but they declined, explaining that they were busy with their projects.
1. Mad Dogs
It is rare that the very first serious work receives one of the highest critical acclaim. That’s a huge advantage and a huge challenge, because your whole life is spent chasing success.
Handled by Tarantino – he’s really trying, perfecting his filmmaking and screenwriting skills. A strikingly coherent cast, narrative style and fights with a sea of blood and a haunting atmosphere. Tarantino took everyone by the nose, telling tales that «reservoir dogs» is slang, or that he meant the French “goodbye”, it is still unclear where we inquisitive viewers should dwell. Quentin put a lot of energy into the film, it’s impossible not to notice the way he builds the communication between the characters, who have “colored” nicknames, and in the way he allows one of the characters to escape, although he doesn’t lose the realism of the whole setting, as the other characters die.
The beginning of the film began with pure luck, and it’s hard to understand how one could agree to shoot almost on enthusiasm, using his own costumes, but for the sake of playing bandits who love their work and do it flawlessly. When you start to realize, then everything that happens on the screen takes on a new shape and even the scene with the mockery of the policeman at one time lifted entire groups of viewers in movie theaters looks not so cruel. Tarantino tries to present the violence, which is the main means of achieving the goal for these “colored” gentlemen, as an ordinary job. In addition, he clearly emphasizes that this gang is trying to “survive” rather than “humiliate” someone for purely emotional gratification.
There’s a lot of understatement in this film that allows everyone to understand these ordinary guys who steal a million from the bank in very different ways. They get together over coffee, shouting fuck at each other over a word, but it’s this coherence that reigns in their team next to their love for elaborate detail and story that opens our eyes to the fact that no matter what your goal is, you are perfect for achieving it yourself. But you can choose the people with whom you will achieve this goal and have an invaluable experience.
The Hateful Eight Christ Opening Scene plus Ennio Morricone’s – L’Ultima Diligenza di Red Rock
And let Tarantino keep filming, while constantly improving, and give us more than one more shot of bloodshed, unexpected twists and fights.
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